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With the beginning of the 2013-14 school year, I’m pleased to announce the start of a new program in my classes at Walden School of Liberal Arts. I call it the STEM-Arts Alliance, and it’s an attempt to bring artistic expression and creativity into my STEM (science, technology, engineering, and math) courses.

Receiving the award from CenturyLink Foundation.

Receiving the award from CenturyLink Foundation.

I have several reasons for doing this. First, I hope to broaden our students’ participation in upper-level science and technology courses. Given the size of our school, we could have more students taking courses such as chemistry, physics, astronomy, anatomy, and environmental science. We are a public charter school with a liberal arts emphasis, which means we get a high percentage of creative, passionate, out-of-the-box-thinking students. We need people like this to choose careers (or at least become more literate) in the sciences. My solution is to broaden the appeal of our science and technology courses by integrating the students’ strengths and interests. This is not to say I’m making my courses any less academic; it just means we’re using the arts as a continuing theme, by looking at the art of science, the science of art, and the history of both.

Second, I happen to love drawing and painting and rarely have time to do it. My artistic passion is somewhat satisfied by 3D animation and video production projects, but there’s just something about holding a paintbrush or an ink pen and seeing a project emerge from paper. I’ve been pulled in four different directions all my life; I seem to keep swinging between science, media design, history, and fine art. So I’m creating lesson plans and projects that incorporate all four of these areas, projects that are based around my own passions.

Award letter for the ING Unsung Heroes Award. It's always a good day when you receive one of these!

Award letter for the ING Unsung Heroes Award. It’s always a good day when you receive one of these!

Third, I hope to enhance the stories of science we’re telling by bringing my students’ artistic skills to bear on science topics. When I did some line drawings of Greek matter theorists (such as Thales, Parmenides, etc.) I found that they were frequently downloaded. Apparently, people are tired of finding only the few standard photos showing busts of Aristotle and his colleagues in some museum. Why not put myself (and my students) to work, creating new images in the cause of science education and fine art? I soon hope to complete the Greek Matter Theories videos I began four years ago, and I need more materials and images. Now I can do two things at once. I can draw illustrations of Aristotle or Democritus for the Greek videos while simultaneously teaching the chemistry of ink or paint pigments.

Fourth, our school is building up to become an International Baccalaureate (IB) school with a Middle Years Programme starting this year and growing to encompass 7-10 grades, with an additional Diploma Programme in our upper grades. The chemistry and technology courses are very much based on design projects and inquiry experiments while maintaining high academic standards. This is very much the model I have been working toward anyway, and my STEM-Arts Alliance should help my students transition into the IB chemistry and technology classes.

But to successfully implement my ideas, I needed funds and so I’ve been applying to every grant I can find. During this spring, I applied for five different programs, grants, or competitions, with three being due within two days of each other. True, it was made easier because all my proposals were similar, hoping that some would succeed. And they did! Two grants have come in. The first was $1250 from the CenturyLink Foundation. I received one of those large fake checks in May. I began purchasing equipment and supplies during the summer, including a GoPro camera, an audio recorder, a green screen, and a digitizing Bamboo tablet. These technologies will add to our ability to record video and audio, create digital images, and document what we’re doing in chemistry and astronomy in our two blog sites. We also purchased a new LEGO Mindstorms EV3 kit so we could start an afterschool robotics club. Here is a link to the CenturyLink Award: http://www.centurylink.com/static/Pages/AboutUs/Community/Foundation/teachers.html.

Receiving the award from Steve Platt of ING Foundation.

Receiving the award from Steve Platt of ING Foundation.

My second success was $2000 for the ING Unsung Heroes Award. They provide two such awards per state, and I thought I had a pretty good chance of winning one. I’ve purchased a new color laser printer (so much better than using the ink jet) as well as chemicals and supplies for the various lessons and projects we’ll be doing this year. I received a second large fake check from Steve Platt of ING this fall, as well as a nice plaque. I am still purchasing materials through this grant. Here is a link to the awards page in case you want to apply yourself: http://ing.us/about-ing/responsibility/childrens-education/ing-unsung-heroes.

So far my students have worked on a number of different projects in several different classes and at Timp Lodge. They’ve accomplished the following:
1. We set up a summer media design class that culminated in organizing the video clips and recording green screen narration for the SOFIA video I’m putting together.
2. We made tie-dye shirts at Timp Lodge.
3. We made marbled paper using dilute oil paints floated on water (also at Timp Lodge). 4. Students edited the SOFIA videos and built 3D objects from SOFIA’s interior in the middle school Creative Computing classes.
5. Students created iron-gall ink in chemistry and used it to draw pen and ink illustrations of science history concepts.
6. We started the robotics club after school, and students have built a rover capable of picking up small objects and moving them to new locations.
7. Students turned periodic properties of the elements into 3D models.
8. They built paper Christmas tree ornaments representing chemical elements.
9. Students created homemade watercolor pigments and used them to make paintings of science history.
10. They wrote and narrated podcast scripts on astrobiology topics.

I’ll report in more detail on each of these in future posts. It seems that we’re still just getting started, but in reality we’ve been very busy and very successful already. All projects have a fine arts component, a technology component (all paintings are scanned and cleaned up in Photoshop), and a history component. We are literally creating modern versions of old formulas used in making art for thousands of years. And it feels great to have all my passions pulling in the same direction.

Most of these activities have been in chemistry class. I am starting there as an initial run through, testing the recipes I’ve found online so that I can perfect the processes for future classes. The chemistry students have done exceptionally, and they’ve proven to have excellent art skills on top of learning chemistry and experimenting with different formulas. I hope to set up a dedicated Science and Art class during our Intersession that will incorporate all these activities and hopefully more besides. I’ve written another grant to the Moss Foundation just to get an electric kiln to do Raku pottery. So far I haven’t received word, but should soon. I might do a second class for making junk sculpture out of found objects. It will be a combination of materials science, design, and engineering.

I’m having a lot of fun researching and designing these projects, and I hope you’ll have fun reading about them and trying them out yourselves.

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My summer this year was mostly taken up with astronomy related activities. I flew on SOFIA (see my other blog: spacedoutclass.com) and took an astrobiology workshop at the Great Salt Lake to study extremophiles in June, then spent most of July writing up my experiences and archiving the SOFIA video clips. But during the first week in August, I did return to chemistry and the elements as I participated in a materials science workshop offered by ASM, the materials science association of America (yes, I know, the acronym doesn’t fit. It used to be the American Society of Metallurgists, but has grown to include all material sciences, so now it’s just ASM International). I had heard of these workshops before, and this is the first time they’ve been offered in Utah. When the announcement went out from the Utah State Office of Education, I signed up immediately.

Weber State University campus seen from the science building

Weber State University campus seen from the science building

The workshop was held at Weber State University in Ogden. I couldn’t attend the one at BYU because I was in Palmdale flying on SOFIA that week. Even though it was a bit of a drive to go up to Ogden for five days, I did manage to carpool the last three days with two other teachers from Utah Valley, and we had some good conversations while driving up and back. We met at the Park and Ride at Thanksgiving Point each morning. One was a middle school science teacher in Alpine, the other a Technology teacher at the Nebo Learning Center in Springville. Other teachers in the workshop ranged from chemistry teachers (and a WSU chemistry professor) to industrial arts teachers doing Project Lead the Way. Getting to know the other teachers is always a highlight of attending these workshops.

Teachers in the ASM Materials Science workshop at WSU

Teachers in the ASM Materials Science workshop at WSU

The course was taught by Becky Heckman, who teaches materials science courses at an International Baccalaureate school in Princeton, Ohio outside Cincinnati; and by David McGibney, a teacher from Sammimish, Washington. He was also a finalist in the original Teacher in Space program. A third teacher, Chris Miedema, from Ottawa, Canada also helped out as an ASM trainee teacher. All three have been through these workshops before and have received additional training to present them, traveling to several locations each summer for a week at a time.

Weber State University chemistry lab, with Dr. Donaldson and his wife.

Weber State University chemistry lab, with Dr. Donaldson and his wife.

The course was divided up into sections by the types of materials, with an overview on Monday. We looked at the properties of metals, ceramics, glass, composites, and polymers and alternated our time between in-class discussions and demonstrations and lab activities. We were in the current WSU science building (a new one is being built) and used the chemistry lab upstairs. Some of the labs I’ve done before, such as the activity series of the elements, but we did them in new ways or from different perspectives. Most of the labs will be directly useful in my chemistry class this year. A few use equipment that will require some grants to get, such as a small kiln for raku pottery that runs about $800. They provided some starter materials, such as a bag of sodium polyacrylate and some metal electrode kits, that were given by various chemical companies.

Testing the Reactivity of Metals in Copper Sulfate Solution.

Testing the Reactivity of Metals in Copper Sulfate Solution.

Workshop Highlights:

Activity Series with Copper: We used plastic bottle performs instead of test tubes to test various metals in a solution of copper sulfate, then observed the differences in reactivity. This is a variation of the Activity Series of Metals lab, but is presented as an excellent inquiry/discovery lab. I’ll use this during my second semester as we talk about reactivity and reaction types, leading into my lab on copper compounds.

Borax glass beads. The green beads are on nichrome wire, the blue beads on copper wire.

Borax glass beads. The green beads are on nichrome wire, the blue beads on copper wire.

Borax Glass Beads: We had two types of wire, nichrome and copper, bent into small loops. We heated up the loops in a torch flame, then dipped them into a cup with borax powder, then heated it again, until a bead of vitrified borax formed in the loop. The nichrome bead was green, the copper wire bead was blue. It took some practice not to get too much borax on the loop, so that it didn’t drip into the torch burner.

Metal Activities. From Bottom clockwise: A penny squished through a stretching machine, tin and bismuth alloy buttons, tin splotches and shreaking tin, pennies turned to "silver" and "gold."

Metal Activities. From Bottom clockwise: A penny squished through a stretching machine, tin and bismuth alloy buttons, tin splotches and shreaking tin, pennies turned to “silver” and “gold.”

The Alchemist’s Dream: We did a variation on the old “turning copper into gold” lab that didn’t require pre-1982 pennies (which were made of pure copper). This one uses a solution of zinc powder and sodium hydroxide, just like the other version, but deposits the zinc onto the copper using electroplating. A zinc electrode is in the solution is attached to the positive lead, and the penny is placed inside a plastic spoon with holes in it and touched with a copper wire attached to the negative lead. The zinc appears instantly. It is less dangerous than heating up the zinc-lye solution, and the zinc layer is more even, producing a better-looking golden penny when heated up on a hot plate. I’ve already done this lab in my chemistry class this year with excellent results.

Playing with starch and water solution at the ASM camp.

Playing with starch and water solution at the ASM camp.

Thixatropic vs. Dilatant Solutions: We did the old cornstarch and water oobleck lab (outside, as this is very messy) but looked at it from the perspective of thixatropic (adding shear force or shaking makes the solution less viscous, such as shaking a catsup bottle) versus dilatant (pronounced “die-laa-tant”), where shear forces make the solution more rigid, such as the starch-water solution. These are both examples of non-Newtonian fluids.

Making sulfur allotropes. We did this outside because of the smell.

Making sulfur allotropes. We did this outside because of the smell.

Sulfur Allotropes: Heating sulfur flowers until it turns orange, then carefully pouring into water produces a rubbery form of sulfur. Depending on the temperature and how quickly it is heated, sulfur has several allotropes. We also produced sulfur crystals.

Crystal Bead Boards: Taking a DVD case and filling with small plastic beads, then taping it together to make a single layer. These beads can be shaken to illustrate crystal lattices and imperfections, such as linear cleavage planes, vacancies, etc. Mixing two colors of beads or even two sizes of beads can show substitutional and interstitial alloy structures.

Sir Ken Robinson TED Talk: A very provocative and inspirational talk on the nature of learning and education that all teachers should watch (all students for that matter). Here’s the link: http://www.ted.com/talks/ken_robinson_says_schools_kill_creativity.html.

Annealing, Quenching, and Tempering: We heated bobby pins and paper clips (having different levels of carbon in the steel) and tested how easy it was to break them after they had been annealed, quenched, and tempered. Then we learned the differences in crystal structure. A good introductory discovery lab, with inquiry, that I had never seen before.

Tin splotches, made by dripping melted tin onto a steel plate.

Tin splotches, made by dripping melted tin onto a steel plate.

Tin and Bismuth Alloys: We made a series of buttons of different percentages of tin and bismuth metals melted together. We then tested their melting points to see where the eulectic point (alloy with lowest melting point) was. This was at about 58% bismuth to tin.

Steel Wool in Vinegar: We placed steel wool in a small Erlenmeyer flask with vinegar and salt water, then placed a balloon over the mouth of the flask. We measured the temperature of the solution every ten minutes with a laser thermometer (I had never seen these before – pretty slick!) We were asked to predict what would happen with the balloon – would it inflate or deflate? We also did a corrosion lab with steel wool in water, salt water, hydrogen peroxide, and a combination and compared reaction rates.

Polyurethane foam mushrooms colored with food coloring.

Polyurethane foam mushrooms colored with food coloring.

Thomas Thwaites video: A Welsh man received a grant to see if he could build a toaster from scratch, based on a quote from Mostly Harmless, the fifth book in the Hitchhikers series by Douglas Adams. Arthur Dent, who seems to have trouble hanging onto his towel, has landed on a primitive world where he assumes he will soon be in charge due to his advanced 20th century scientific knowledge. He soon discovers, however, that he doesn’t even have the skills necessary to build his own toaster. He can barely manage to make a passable sandwich. Thwaites decided to put the idea to the test; he took apart a toaster and catalogued the parts, then collected all the raw materials needed to build one himself. He had to melt the metal (which he got at an iron mine), create the plastic (he used potato starch, but snails ate it, and British Petroleum wouldn’t give him a jug of crude oil. He finally had to “mine” the plastic from a garbage dump), and he eventually got a crude toaster that lasted a few seconds before burning out. Here is the link to that video: http://www.ted.com/talks/thomas_thwaites_how_i_built_a_toaster_from_scratch.html.

Plastics Labs: We made polyurethane foam plastic, both rigid and flexible. We also made large clothespins, shrinky dinks (plastic cups painted with Sharpie pens, then melted in a toaster oven), a latex ball (although mine looked like a brain more than a ball), and a homemade Styrofoam shape from a mold and polystyrene pellets.

Shrinky dinks. The disk on the left was a #6 recyclable plastic cup colored by Sharpie permanent markers, then heated in a toaster oven. It shrank down to its original size before plastic forming.

Shrinky dinks. The disk on the left was a #6 recyclable plastic cup colored by Sharpie permanent markers, then heated in a toaster oven. It shrank down to its original size before plastic forming.

Making Models of Composites: We created “diving boards” out of foamcore wrapped with tape, then tested their elasticity and Young’s Modulus. We also made “hockey pucks” from cement mixed with plastic Easter grass as a reinforcer, then dropped the pucks from different heights to compare reinforced vs. non-reinforced concrete. The reinforced cement held up to stresses and did not shatter as the non-reinforced cement did.

Bending a large pipe at the CBI plant. The glowing band is where the pipe is heated by electric current induction, then bent by the machine at right. Water is sprayed on the already bent portion to prevent over bending.

Bending a large pipe at the CBI plant. The glowing band is where the pipe is heated by electric current induction, then bent by the machine at right. Water is sprayed on the already bent portion to prevent over bending.

Tour of CBI Pipe Bending Plant: On Thursday, we carpooled over to a subsidiary of CBI Pipe and Supply in west Ogden that bends large pipes for oil or gas pipelines. The pipes are manufactured straight, but there are times when pipelines have to bend, so this company does the bends. The pipes are extruded and heated using electrical current at a very thin line as a large machine pulls the pipes around at a specific angle. Except for the thin band of heated pipe, the rest is cooled with a water jet. We were shown all through the plant, including how the pipes are tested for strength and shear stress in a lab, how they are annealed in an oven, and how they are painted. Some of the pipes we saw being bent were four feet in diameter.

Testing metal samples from the original pipes to determine strength, elasticity, etc.

Testing metal samples from the original pipes to determine strength, elasticity, etc.

Raku Pottery: This was the most complex thing we did, but also the most interesting from a chemistry perspective. We used a special type of ceramic clay, with higher sand content than usual, to shape small pinch pots. A small 120 volt electric kiln was purchased for this workshop, and the pots were fired in it during the first two days. Then we put glazes made of metal oxides onto the bisque ware and fired it to 900°. On Friday, as our final activity, we took the pots out of the kiln while still hot and placed them into new paint cans filled with shredded newspaper. As the pots hit the paper, it burst into flames. The lid was then placed on the paint can to smother the flames. As the oxygen in the can is used up, the flames pull oxygen away from the metal oxide glaze, reducing it back to a metal. The pots come out with metallic shines. I experimented with various glazes and layering colors on top of each other. My best results were with red copper oxide, tin oxide, and silver oxide glazes. Chromium oxide stayed green and cobalt oxide stayed blue. Tin started pink but turned silvery. Copper went from pinkish to coppery metal, and silver from bluish green to silver-white.

Removing the glowing red Raku pots from the kiln.

Removing the glowing red Raku pots from the kiln.

These were just a few of the things we did over five days. The workshop has already been extremely useful for me, and I plan to incorporate more of the ideas and activities into my other courses this coming semester. We received a large booklet with lesson plans as well as a DVD. Perhaps I will even propose a semester-long materials science course for next year at Walden School. We ended the workshop on Friday with a nice banquet at the student union building at WSU and were addressed by a colonel in the Air Force at Hill Air Force Base, one of the cosponsors of this workshop.

Some of the finished Raku pots. Mine is on the right. It's not as nice as others because I experimented with layering glaze colors.

Some of the finished Raku pots. Mine is on the right. It’s not as nice as others because I experimented with layering glaze colors.

Raku pot using copper oxide glaze, which reduced to a copper metal shine.

Raku pot using copper oxide glaze, which reduced to a copper metal shine.

Teachers at the ASM workshop banquet, Friday, August 9, 2013.

Teachers at the ASM workshop banquet, Friday, August 9, 2013.

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